I kicked things off by asking what inspired them when they landed the gig. Leo didn’t hesitate: their approach is all about pushing boundaries. “We go as hard as we can in a direction and see how much we can get away with,” he said, hinting at the bold choices that make their work unforgettable. For Spider-Man, the animation sparked two big ideas. First, anime—think high-energy rock, pop, and orchestral blends that scream youthful MCU spirit. Second, New York City itself, with its lo-fi hip-hop pulse and jazzy roots, perfectly capturing Peter Parker’s teenage world. Wrestling those into one cohesive score? That’s the magic they spent the season perfecting.

Curious about the iconic opening, I was surprised when Zach dropped a bombshell: “We did everything but the theme song.” That’s right—the catchy opener is by Math Club and others, but Leo and Zach handled all the underscore and end credits, weaving their sonic web through every episode. And when it comes to villains like Doc Ock or Vulture, they had a blast. Zach lit up talking about giving Doc Ock a quirky string quartet vibe and Vulture a heavy metal edge—each baddie gets a musical personality that’s as fun to hear as it is to watch.

As a synthwave fan, I had to know if that ‘80s nostalgia seeped in. Zach, a former synth artist, grinned. “It’s always in the back of our heads,” he admitted. While they didn’t go full Cobra Kai with it, that cinematic nostalgia vibe still sneaks into the mix—especially in Peter’s everyday moments, like chatting with Lani in the school hallway, which they both adore scoring more than any action scene.

So, how do they hint at a villain’s turn? Leo explained it’s a delicate dance—sometimes foreshadowing, sometimes keeping it a surprise, all guided by the script. And no, they didn’t dig into old Marvel cartoons for inspiration—they wanted this to be their Spider-Man, fresh and original.

By the time we wrapped up (with a quick pineapple-on-pizza debate—Leo’s a firm yes, Zach’s a chill maybe), I was hooked. Their passion for blending wild influences into Peter Parker’s world is infectious. Want the full scoop, from Russian techno Unicorns to their favorite slice-of-life beats? Swing over to Spotify and listen to our chat—it’s a score worth hearing in full.

Carlo from 4GQTV spoke with Gina Costanzo about her passion for music. Gina’s unique story encompasses overcoming challenges to follow her dream. Gina had a love for music that dates back to childhood. It led Gina to do musical theater and at the age of 17 she made it on NBC’s The Voice as a contestant.

Getting cast on the show proved to those who knew her that this was no longer just a hobby but the career Gina wanted. Facing anxiety about trying to please people with what she thought they wanted to see on The Voice, her mentor Gwen Stefani gave her some advice. That advice embarrassed her in the moment but was the drive she needed to be herself and let loose.

The next day, Gwen Stefani told her she did much better. That stuck with Gina as she navigated the music industry. Some obstacles made her want to quit but instead, she came back stronger. She found those around her who believed in her and now she tours with her friends and bandmates, Velvet Rogue.

Gina’s story can resonate with anyone. It’s a story of triumph of being yourself and following your dream. Gina is brave, courageous, and talented. With all the support she had from friends and immediate family she found the strength to come out as bi-sexual. I have interviewed many people but Gina’s story hits close to home. Being from PA, knowing the same venues in Philadelphia, and having a similar family background I am happy to see Gina follow her dreams. I hope it inspires others to feel free to be themselves and to love yourself.

You can watch the full interview below: